We are elated to share news that Ian van Coller was just awarded a Guggenheim Fellowship for his ongoing series, Naturalists of the Long Now. This prestigious award is earmarked for established artists who "add to the educational, literary, artistic, and scientific power of this country [and provide] better international understanding."
"Days Before/Days After" Book with Work by Matt Eich to Release at AIPAD
Another book featuring the work of represented artist, Matt Eich is now available for pre-order. This book includes work by Matt Eich and Jared Soares, was published by Zatara Press, and will release in their booth at The Photography Show by AIPAD.
Read moreCollections Visit with SDMA
Art comes alive when you share it. This month we were proud to share the works in our personal collection with the San Diego Museum of Art's Gallery Collective. The Gallery Collective offers members special VIP access to Museum events and is a passport to happenings outside the box and in the greater San Diego Arts community.
Read moreEich Print in MoCP Benefit Sells Above Retail
We were honored to be asked to donate a work to the Museum of Contemporary Photography's Benefit Auction. MoCP requested work by Matt Eich; we offered a piece from the Carry Me Ohio series, Skidmark, Chauncey, Ohio 2006. We are happy to report the work did well and sold above retail.
Read moreIan van Coller at the Center for Book Arts, NYC
OUR ANTHROPOCENE: ECO CRISES
through March 31, 2018
Artist's Talk & Reception Friday, March 2 at 6:30 pm
The artists in this exhibition respond to the ecological crises of our Anthropocene, which we ignore at the peril of our own ecocide.
Read moreBackstage with Jennifer Greenburg
Sometimes the Director knocked twice. 2017
Jennifer Greenburg is currently on a teaching sabbatical, so anticipate the rollout of more work in coming months, and be the first to see new productions, such as this latest work, "Sometimes the Director knocked twice. 2017."
I intend for this series to engage the audience in a conversation about the way we interpret the media, record personal memories, and establish collective history… [this] is a study on photography, the nature of the vernacular image, and its role in creating cultural allegories . . . By (re)processing a cross-section of the past I am creating a dialogue about the constructs still entrapped in our national psyche.
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